Breathing in Water is a collection of work that focuses on memories and the role water has played in shaping those and finding a sense of place. This work represents place, as a memory and connection or a link to a specific...
Palavra-chave:
Collage, Connections, Landscape, Memory, Mixed Media e Uncanny
Sujeito:
Collages, Landscapes, Mixed media, Art objects e Memory
Traces of Memory is a body of work focused on the role of memory, personal archives, and place. Memories exist at the boundary of reality and fiction. All the works of art in this exhibition are related to my experiences in my...
Palavra-chave:
Bassett, fiber art, memory, place, pressure prints e printmaking
Sujeito:
Memory, Fabric art (visual works) e Prints -- Technique
My thesis study explores a variety of themes voicing several binary oppositions, creating abstractforms transposed from industrial or craft-based materials. These themes include relationshipsbetween conventionally “masculine”...
Palavra-chave:
Feminine e Masculine
Sujeito:
Art, Abstract e Sculpture, Abstract -- Themes, motives
In her essay “On Narrativity in the Visual Field: A Psychoanalytic View of Velázquez’s Las Meninas,” Efrat Biberman asks: “Does narrativity by definition contradict visuality, and if so, why is it so prevalent in the context of...
Palavra-chave:
David Skinner, diptych paintings, figurative abstraction, figurative painting, narrative paintings e photographs and painting
Sujeito:
Narrative art, Narrative art (Art movement) e Narrative painting
This series of paintings and drawings attempts to navigate personal and pandemic tragedy via the depiction of trauma as a collective experience. Within my work, publically accessible images of oil spills, human induced...
Palavra-chave:
Collage, Drawing, Painting, Review, Trauma e Witness
Sujeito:
Tragic, The, in art, Disasters in art, Loss (Psychology) in art, Realism in art, Charcoal drawing e Painting
Everyday we communicate, navigate, deconstruct and reconstruct boundaries in our internal and external lives as a means to control our experiences. We do this in an attempt to keep ourselves “safe” from “others”, but this is a...
Palavra-chave:
anti-object, emergent strategy, form, performance, sculpture e space
